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"In my own room. You have not seen that yet. But it belongs to myself alone, and I call it my den, because in it I keep everything that I hold most precious. Some time I will show it to you." "No," he replied, "my heart was sad; I did not count the days. Since I left, the berries have grown and ripened." "Do you know it never occurred to me until this afternoon?" she says, simply; "but now I think—I may be mistaken, but I really do think he fancies himself in love with me. A very silly fancy, of course.".
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Conrad
"There is food," said he, as he put it down by the woman. "Now to-morrow move your camp over to our lodges. Do not fear anything. No matter what strange things you may see, do not fear. All will be your friends. Yet about one thing I must warn you. In this you should be careful. If you should find an arrow lying about anywhere, in the piskun or outside, do not touch it, neither you nor your wives nor your children." When he had said this he went out. "Yes, very glad," returns he, hardly knowing what he says. He has gone back again to his first thoughts,—his mother's boudoir, with its old china, and its choice water-colors that line the walls, and its delicate Italian statuettes. In his own home—which is situated about fourteen miles from the Towers, and which is rather out of repair through years of disuse—there are many rooms. He is busy now trying to remember them, and to decide which of them would look best decked out in crimson and gray, or blue and silver: he hardly knows which would suit her best. Perhaps, after all—— "Well, mother?" says Geoffrey, when he has gained her room and received her kiss, which is not exactly all it ought to be after a five months' separation. He is her son, and of course she loves him, but—as she tells herself—there are some things hard to forgive. Running over to the river that flows swiftly but serenely a few yards from her, she leans over the bank and gazes down lingeringly and with love into the dark depths beneath that cast up to her her own fair image..
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